About the Orpheus Choir of Toronto

Expect Something Different

Organist John Sidgwick founded Orpheus in 1964 as an alternative to the traditional choral fare of the day. The choir introduced Toronto audiences to a rich new world of choral music. Now in its 56th year, the Orpheus Choir of Toronto has become one of Toronto’s preeminent choral groups.

After John Sidgwick’s departure in 1970, Orpheus thrived under the leadership of several prominent choral conductors. Orpheus' past conductors include James Whicher, Lloyd Bradshaw, John Barnum, and Brainerd Blyden-Taylor.

On its 25th anniversary in 1989, Orpheus established the Sidgwick Scholarship Program to honour its founding director. The program enabled Orpheus to support emerging talents who aspire to careers in vocal performance. So began our ongoing commitment to nurturing young talent. Our commitment has expanded to include an annual roster of eight scholarship positions, an apprentice conductor, and a Vocal Apprentice Program to engage talented high school students.

In 2003, Robert Cooper became artistic director and inspired the choir’s renewal and revitalization. Under his direction, Orpheus outgrew its roots as a community choir. After 20 years of fruitful leadership, Robert Cooper stepped down as artistic director.

The Board of Directors was delighted to announce that after an intensive search through the spring of 2023, Thomas Burton-Bresba was named Artistic Director.

Expect Something Different

We have made our mark in the Canadian choral community by championing new and rarely performed choral works and celebrating the ‘Expect Something Different’ experience.

We perform a vast repertoire of sacred and secular music. Performances range from the Renaissance to the 21st century, from the classic to the experimental. Adding to the richness of the choral art form, Orpheus continues to commission new works from Canadian and international composers.

Orpheus has introduced Toronto audiences to many fascinating and accessible works from the current generation of leading composers such as Ēriks Ešenvalds, György Orbán, Vytautis Miškinis, René Eespere and Urmas Sisask.

Community Partnership and Collaboration

The Orpheus Choir of Toronto is committed to sharing the gift of music in the community through partnership and collaboration.

Orpheus realizes this value through collaborations with renowned international artists such as Sir David Willcocks, Sir Philip Ledger and John Rutter, Ben Heppner, Mary Lou Fallis, Lois Marshall, Alfred Deller and Adrianne Pieczonka.

We have collaborated with communities in the Toronto area to share their stories with a wider audience. In 2017, we joined with the Vesnivka Choir to commission Larysa Kuzmenko's The Golden Harvest. The performance was mounted to commemorate the 125th anniversary of Ukrainian immigration to Canada.

A year later, Orpheus marked Latvia's 100th anniversary by joining hands with Toronto's Latvian community. Together, they mounted a festival celebrating the work of composer Ēriks Ešenvalds. This culminated in the performance of his Nordic Light Symphony.

Choral Music to Effect Social Change

Finally, as reflected in our Vision Statement, the Orpheus Choir of Toronto regards the choral experience as a way of effecting social change.

Orpheus has an abiding concern for the environment and the effects of the global climate crisis. Mounting works by Leonard Enns, Ten Thousand Rivers of Oil, Orpheus offered an entire concert devoted to the issue of water -- This Thirsty Land (2018).

As we passed the 100th anniversary of World War I, we mounted concerts that explored not only the darkness that sometimes emerges in hatred and division, but also the human capacity for resilience and reconciliation -- The End of Innocence and Last Light Above the World.

In honour of International Women's Day, Orpheus created a unique project called Raising Her Voice in partnership with Diaspora Dialogues. We paired emerging composers and poets with established composers and poets. From these relationships, Orpheus commissioned 4 new works by Canadian women and created a new mentorship model.

Our newest presentation, Sound Mind, explores the connections between music and mental health and will be held during Mental Health Week.

Our Team

Thomas Burton-Bresba, Artistic Director

Orpheus Choir of Toronto - Thomas Burton - Artistic Director

Raised in Wolfville, Nova Scotia, Thomas Burton-Bresba is Artistic Director of the Orpheus Choir of Toronto, Conductor of the Tenor/Bass Chorus at the University of Toronto, and Artistic Director of Durham Region’s RESOUND Choir. Praised for his innovative and eclectic programming as well as his dynamic presence on the podium, Thomas is in-demand nationally as a guest conductor, clinician and educator.

Thomas is passionate about inspiring excellence in performers of all ages and abilities. He has had the privilege of working with such ensembles as the Pacific Chorale, The Amadeus Choir of Greater Toronto, Pro Coro Canada, the National Youth Choir of Canada, and the Vancouver Chamber Choir. An accomplished choral singer, Thomas has sung with some of Canada’s finest choral ensembles including the Toronto Mendelssohn Singers, Voces Boreales, and the Nathaniel Dett Chorale.

Thomas is a recipient of the Iwan Edwards Scholarship for Young Choral Conductors, awarded by Jeunesses Musicales in 2024, the Iwan Edwards Award in Choral Conducting, the Ken Fleet Choral Conducting Scholarship, and the Sir Ernest MacMillan Memorial Foundation Award. He holds a bachelor’s degree in Trombone Performance from McGill University and a master’s degree in Choral Conducting from the University of Michigan where he studied with Dr. Jerry Blackstone and Dr. Eugene Rogers

Vladimir Soloviev, Collaborative Pianist

Vladimir Soloviev is a Toronto-based pianist, vocal coach, organist and conductor.

As a soloist, Vlad has performed in concert across Canada, as well as the US, Italy, France, Spain and Russia. His past performances include appearances at the Weill Recital Hall (Carnegie), Bohemian National Hall (New York) and others.

As a collaborative pianist, Vlad recently held the position of repetiteur at the COC Ensemble Studio. As part of his work there, he played for a number of productions, including “Gianni Schicchi”, “Fantasma” (Co-music director), “Madama Butterfly” and “Magic Flute”. Vlad’s other work includes “Don Giovanni” and “Eugene Onegin” with the Highlands Opera Studio, as well as “Portrait de Manon” and “Der Schauspieldirektor” with the UofT Opera School. Vlad also remains active as a music director at Trinity United Church, Newmarket.

His oratorio experience includes the Faure "Requiem", Saint-Saens' "Oratorio de Noel", Vivaldi "Gloria", Pergolesi "Stabat Mater", and more.

Board of Directors

Our Board of Directors is composed of singing and non-singing members. Those members are:

  • Laura Packer, Chair
  • Darko Lakota, Finance Lead
  • Katharina Steger, Secretary
  • Elizabeth Shannon, Governance Lead
  • Grace Hutton, Membership Lead
  • Leanne Oefner, Development Lead
  • Elizabeth Lee, Marketing Lead
  • Christine Button, Director
  • Rachel Sham, Director

The Board meets six to eight times a year. Because it is a working Board, many of its tasks and commitments fall outside the formalities of the meeting environment. The Board has several broad areas of responsibility:

  • Governance
  • Finance
  • Marketing
  • Development
  • Information Technology
  • Program Development
  • Membership

Board members provide leadership for these areas of responsibility and, as needed, they develop teams to support them.

The purpose of the Board is to support the Artistic Director in the realization of his creative vision within the broad mandate of the organization's Vision, Mission, & Values statement.

If you would like to serve on the Orpheus Board, please contact us, using the form below.

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